
Celebrating 15 years of BAFTA Young Game Designers
Celebrating 15 years of BAFTA Young Game Designers
Telling the climate refugee story with integrity, empathy and impact
The 2025 BAFTA Television Awards with P&O Cruises: Portraits
Ashleigh Ashley is a creative producer working across the commercial, film and television pipeline. She has a passion for stories that explore and celebrate the human condition and is a strong advocate for gender equality, all round diversity and mental health in the screen industries.
Having started her career in advertising production, Ashleigh is well-versed in producing commercials and branded content, with recent credits including spots for New Balance (for Pulse Films) and M.A.C (Steve McQueen’s Lammas Park). Her multi-platform experience means she has a unique perspective on how to produce and package content for an ever-changing market. Her four years in distribution at Disney has meant she’s always thinking about ways to maximise franchise possibilities, with her two years on BAFTA Elevate providing a gateway for her to bring these skills into the long-form narrative/HETV space.
Ashleigh has coordinated on such shows as We Hunt Together (2019) and Top Boy (2022). She has also recently been shortlisted for two associate producer roles – for Sky’s Amadeus and BAFTA nominee Akinola Davies’ first feature film – and her first long-form producer credit seems inevitable.
For Ashleigh, people and story are the heart of the business. This ethos is readily illustrated in her short-form narrative work, including the BFI Network-funded short film, My Brudda (2023). It’s also evident in the forthcoming slate of narrative projects she’s developing through her company, Our House Pictures, which was a 2024 beneficiary of the Creative Enterprise Foundation’s screen business programme.