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Aline Brosh McKenna
21 September 2010
The writer of The Devil Wears Prada shares her love of workplace comedies, and the challenge of good exposition and transitions.
Aline Brosh McKenna Screenwriters Lecture
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Simon Beaufoy
17 September 2010
The Slumdog Millionaire writer explores several aspects of screenwriting, including how a script's tone can completely change; The Full Monty was originally written as a drama.
Simon Beaufoy Screenwriters Lecture
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Christopher Hampton
10 September 2010
The Atonement writer discusses a script's structure and evolution, plus working with David Cronenberg on A Dangerous Method.
Christopher Hampton Screenwriters Lecture
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David Hare
09 September 2010
Hare, who's adapted The Reader and The Hours, states that the role of the screenwriter is "The Fall Guy" and discusses the relationship between language and image.
David Hare Screenwriters Lecture
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Sir Ronald Harwood
23 September 2010
Harwood discusses his work on films such as The Pianist and The Diving Bell & The Butterfly, and states that he never knows in advance how his scripts will end.
Ronald Harwood Screenwriters Lecture
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Peter Morgan
20 September 2010
The Scottish writer is a key collaborator of director Ken Loach, with My Name Is Joe, The Wind That Shakes The Barley and Looking For Eric among their many projects together.
Peter Morgan Screenwriters Lecture
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