FAQs
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All programmes must have had their first transmission in the UK between 1 January and 31 December 2025.
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Yes…
- Programmes must have a minimum running time of three minutes. Children’s programme entries have no minimum run time
- To be eligible programmes must air to UK audiences. However, if editorial control resides outside of the UK, the programme must enter into the International category
- Entries can be made to either the BAFTA Television and Television Craft Awards or the BAFTA Film Awards, not both
- Specific restrictions apply for certain categories. Please refer to the Rulebook in the Rules And Guidelines section above
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Entries for the production categories can be submitted by broadcasters, independent production companies, directors, producers, writers, entered performers; or representatives thereof.
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Yes.
- Fee per entry: £624 (£520 + £104 VAT)
- Discounted fee per entry for children’s, performance and short form categories: £168 (£140 plus £28 VAT)
BAFTA is an arts charity and we rely on our entry fees to fund the awards ceremony as well as our year-round activity to support the industry. Find out more about this by reading about our learning and events programmes.
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BAFTA has always believed in being open about what data we collect from our members and what we do with it. Find out more in our Entrant Privacy Policy.
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The BFI Diversity Standards are part of the eligibility criteria for several of our British awards, as part of our cross-industry drive to drive inclusion in the film, games and television industries.
In order to assist you in achieving the Standards, there are many fantastic resources produced by BAFTA partners such as Screenskills, CDN, The Film and Television Charity etc. You can search Screenskills’ Resource database for guidance on running mentoring schemes, tackling bullying and harassment, recruitment practices etc.
Resources which BAFTA supports, has been involved in or lead the development of include:
• BAFTA’s Invisible Barriers resource – highlighting the lived experience of practitioners from low socio-economic backgrounds, as well as practical tips and guidance for how to improve socio-economic diversity amongst your team or workforce.
• The Film and Television Charity’s report into the experiences of Arab, Jewish and Muslim members of the workforce – this report includes recommendations drawn from an extensive consultation.
• The TV Access Project’s 5 A’s – a useful framework for planning for access for deaf, disabled and/or Neurodivergent talent.
• Bullying and Harassment Prevention Resources – for guidance on policies and how to implement them.
