During a long and illustrious career Merrin brought sound to some of cinema’s most memorable productions. A highly regarded re-recording mixer at first Elstree Studios and then Shepperton, Merrin’s work was broad. He covered such diverse fare as A Clockwork Orange (1971), The Rocky Horror Picture Show (1975), Alien (1979), The Shining (1980), The Killing Fields (1984), The Mission (1986), Trainspotting (1996) and Hilary and Jackie (1998).
Merrin was nominated multiple times for a BAFTA, including on the first two Harry Potter films (2001, 2002). And was part of the Oscar-winning sound team behind The Last Emperor (1987), before his retirement in 2003. He was known as a skilled technician, who was quick to embrace innovation – including helping to develop the Dolby Stereo sound system – and was well respected in the industry as a supportive and generous collaborator.
Of his many career highlights, he noted that The Who vehicle, Tommy (1975), was “the loudest sound I’ve ever dealt with. They reckon when it opened at Leicester Square and people came out of the cinema the place seemed so quiet in comparison,” he joked.