A master of visual storytelling and one of the early champions of the Academy in the 1940s, David Lean retains a special place in the history of British Film.
From a love-struck couple in a Lancashire station café to a tiny figure shimmering on a desert horizon, the films of Sir David Lean have provided cinema with some of its most memorable moments. Although he directed only 16 feature films in a 40 year career, Lean remains one of Britain’s most revered and inspirational film-makers.
Born on 25 March 1908 in Croydon, Surrey, David Lean started his career in film in the late 1920s as a clapper boy before editing around twenty-five films including The Night Porter (1930), Pygmalion (1938) and Michael Powell’s 49th Parallel (1941) and One of Our Aircraft is Missing (1942).
His first film in the director’s chair saw him work in partnership with Noel Coward on In Which We serve (1942) and he worked with Coward twice more before going solo in 1945 with Brief Encounter.
It wasn’t until 1957 that Lean moved towards a more ‘epic’ style of film-making, producing and directing The Bridge On the River Kwai which won him enormous commercial and critical success. Over the next ten years or so he produced or directed three more big-budget epics including Lawrence of Arabia (1962), Doctor Zhivago (1965) and Ryan’s Daughter (1970).
Lean’s final film, A Passage to India, was completed in 1984 and won him a host of BAFTA nominations. He was knighted the same year but died seven years later of pneumonia on 16 April 1991 whilst preparing to film his adaptation of Joseph Conrad’s Nostromo.
