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Film Committee


Pippa Harris Chair of the Film Committee

Pippa Harris established Neal Street Productions in 2003, alongside Sam Mendes and Caro Newling, and runs the company’s Film and TV division together with Nicolas Brown.

Since the formation of Neal Street Productions, Pippa has produced Starter for Ten, Stuart A Life Backwards, and also co-produced Jarhead. She also executive produced Things We Lost in the Fire, Away We Go and the Oscar-nominated Revolutionary Road, as well as the recently released feature documentary We Are Many.

Pippa is currently Executive Producer on Call the Midwife - the most successful new BBC drama series in over ten years, as well as the multi award winning, Penny Dreadful, written by John Logan for Showtime / Sky Atlantic. She also executive produced BBC Two's BAFTA winning, The Hollow Crown.

Previously, Pippa was the Head of Drama Commissioning for the BBC where her commissions included The Lost Prince, State of Play and Daniel Deronda. Pippa joined the BBC in 1997 as a Development Executive for BBC films before becoming the Executive Producer of BBC Drama Serials. Her production credits include the BAFTA winning dramas The Way We Live Now, Care and Warriors.


Marc SamulesonDeputy Chair of the Film Committee

Marc Samuelson was formally a Director of the Association of Independent Producers and of the Edinburgh International Television Festival, and MD of Umbrella Films, producers of White Mischief and 1984. He was previously a Board Member of the UK Film Council, a Governor of the NFTS and Deputy Chairman of the British Screen Advisory Council, and he is currently Chair of the Pact Film Policy Group.

From 1990 to 2006 he worked as an independent film producer on films such as the Oscar nominated Tom & Viv, BAFTA-nominated Wilde, Arlington Road, Gabriel & Me, The Gathering, Things To Do Before You're 30, and Stormbreaker, and as executive producer of The Libertine, Keeping Mum and Chromophobia.

In August 2007 Marc became a director of CinemaNX, the film investment company backed by the Isle of Man Government. For NX Marc produced BAFTA-nominated Me and Orson Welles and TT3D: Closer to the Edge and executive produced The Disappearance of Alice Creed, A Bunch of Amateurs, Heartless, Oscar-nominated Chico & Rita, Wild Target, Albatross, The Shadow Line, The Decoy Bride, Ashes and Honour.

Marc departed his position with CinemaNX to relaunch his company Samuelson Productions and has a slate of film and television projects in various stages of packaging and development. He was most recently executive producer on The Silent Storm directed by Corinna Villari-McFarlane and starring Andrea Riseborough and Damian Lewis and City of Tiny Lights directed by Pete Travis and starring Riz Ahmed, Billie Piper and Cush Jumbo.


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Pippa Markham has been a top actor’s agent for nearly forty years. She joined Plant & Froggatt, a small theatrical agency in 1976, became a Director in 1980; on the retirement of Cy Plant, the company became Markham and Froggatt, and more recently, Markham, Froggatt and Irwin. She built the company from three people in a tiny office to filling a four storey building, and currently acts as a consultant.

Her first clients, Timothy Spall and Bill Nighy, are still with the agency; other clients over her career include Chiwetel Ejiofor, Damian Lewis, Christopher Plummer, Tim Roth, Rod Steiger, Mark Strong, Naomi Watts, Juliet Stevenson and Sir Ian Holm.



In the early 1970s Nik Powell set up Virgin Records with Richard Branson. In 1982, he formed Palace Productions with Stephen Woolley and exec-produced all productions, including Neil Jordan's award-winning Company of Wolves, Oscar-nominated & Cannes award-winning Mona Lisa and Oscar-winning The Crying Game. In 1992 Nik and Stephen formed SCALA Productions where they produced Terence Davies' The Neon Bible, the Oscar-nominated and Golden Globe-winning Little Voice by Mark Herman, and Fred Schepsi's Last Orders. Nik's latest film is Ladies in Lavender starring Dame Judi Dench. He is Director of the National Film and Television School and Deputy Chair of the European Film Academy. Nik was awarded the title Chevalier dans L'Ordre des Arts et Lettres in recognition of his work with French and European film schools as the Vice-chairman of GEECT.


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Simon Chin

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Jinx Godfrey

Jinx Godfrey is a film editor working in feature films, documentaries and commercials. Her long time collaboration with director James Marsh includes The Theory of Everything and the Academy Award winning documentary Man on Wire, for which she won an ACE Eddie Award for Best Documentary Editing. She also edited Sir David Hare’s TV Drama Page Eight, starring Bill Nighy, Ralph Fiennes, and Rachel Weisz; Kevin Macdonald’s How I Live Now, starring Saoirse Ronan; and Otto Bathurst’s TV Drama Margot, starring Anne-Marie Duff.

She has edited commercials in the U.K. and the U.S. for Dante Ariola, Mike Figgis, Tom Hooper, Tony Kaye, Spike Lee, Errol Morris, and the late Tony Scott.

Sarah Greenwood

Marc Samuleson

Sarah Greenwood is a four time Academy Award nominated Production Designer, earning her most recent acknowledgement for her work on Joe Wright’s Anna Karenina, for which she also won the Art Directors Guild Award, The European Film Award, The Evening Standard Award and the Hollywood Production Designer of the year Award (for the second time) and was nominated for her second BAFTA.

Sarah received two of her previous Oscar nominations for her work with long time collaborator Joe Wright on his acclaimed films Pride and Prejudice and Atonement (for which she won a BAFTA); her other Oscar nomination was for her work with Guy Ritchie on Sherlock Holmes. Sarah has also collaborated with Joe Wright on the films Hanna and The Soloist, and the television miniseries Nature Boy, Bodily Harm and The Last King (Charles II), for which she received a BAFTA TV Award nomination.

Sarah’s other credits include the features Sherlock Holmes - Game of Shadows, Miss Pettigrew Lives for a Day, Starter for 10, Born Romantic, This Year’s Love, The Governess and A Merry War, the latter marking her film debut.

Born in England, Sarah graduated with a BA hons from Wimbledon School of Art, and began her career designing for the stage. Segueing to the screen, she went on to work at the BBC (becoming a Senior Designer working on establishing the successful series Later with Jools Holland and The Late Show, as well as many other Music and Arts and subsequent Drama Productions . She also won a Royal Television Society Award and received a BAFTA TV Award nomination for her production design work on the BBC award winning series The Tenant of Wildfell Hall. She works closely with Katie Spencer, her longtime Set Decorator.

She has just completed production design on Bill Condon’s adaptation of the classic fairy tale Beauty and the Beast, scheduled for release by Walt Disney Studios in 2017.

Sarah has recently been invited to join the BAFTA film committee and is an Honorary Fellow of the University Arts London.

Abi Morgan

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Alison Thompson

Alison Thompson

Alison Thompson is Co-President of Cornerstone Films Limited, a sales and production-finance Company, which she co-owns with partner Mark Gooder. The newly-formed Company aims to represent and curate a diversified slate of films of enduring quality for the international market place, ranging from commercial, wide release movies, to talent-driven films from world-renowned filmmakers. Cornerstone debuted in Cannes with Asif Kapadia’s AMY which screened in the Official Selection Out of Competition.
Thompson’s career spans three decades: Prior to Cornerstone, she spent 8 years as Co-President of Universal owned Focus Features International (‘FFI’), running its international arm. FFI’s prestigious slate included Ang Lee’s BROKEBACK MOUNTAIN, Wes Anderson’s MOONRISE KINGDOM and more recently Woody Allen’s, BLUE JASMINE and Mike Leigh’s MR TURNER. Before that she headed Pathé Pictures International representing films including GIRL WITH A PEARL EARRING and THE MOTORCYCLE DIARIES.

Prior to joining Pathé, Thompson was chief executive of The Sales Company, one of the UK’s top sales agencies through the 1990s. During her 14 years there, she represented more than 100 films from some of the world’s most celebrated filmmakers. She began her career with the Rank Organisation and Channel Four.