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  • BAFTA and SCI-FI-LONDON present Genre filmmaking in Britain: is there a market for science fiction filmmaking in the UK

BAFTA and SCI-FI-LONDON present Genre filmmaking in Britain: is there a market for science fiction filmmaking in the UK

27 March 12

A day of talks at BAFTA HQ on the state of Sci-fi filmmaking in the UK. When we talk about big budget science fiction, successes spring instantly to mind, from endless Star Wars reboots to The Hunger Games. While this seems superficially encouraging for filmmakers with an interest in the genre, in reality, how relevant is it for UK based filmmakers when the average production spend in Britain is £1.2 Million and falling? With that in mind, it’s no wonder UK science fiction is relatively scarce. Yet, where there is a will, there is certainly a way. Digital tools have really brought costs down, and films like Moon, Monsters, Exam and the recent 2012 SxSW low budget hit Extracted, have shown us that good story and clever use of resources determine the success of a film, not necessarily budgets. In this event we’ll quiz key writers, directors, designers, producers and distributors on the essential creative and business questions around getting a good mid-to-low budget sci-fi film off the ground.

Sci-Fi London

Film Business and marketing roundtables from SCI-FI-LONDON
5th May 12 – 1:15pm
A series of free intimate roundtable discussions on topics from marketing to crowd-funding and social engagement with your audience will help start the day and give some insight into shaping your project.
Each table is hosted by an expert in their field and we will invite you to have 20 minutes at up to 3 tables, they are not one-to-one sessions but group discussions where one or more projects will be discussed.

See below for full details and how to book.

Doomsday
Doomsday director by Neil Marshall, Production Design by Simon Bowles

Meet the Filmmakers
5th May 1:30pm – 2:45pm

UK-based filmmakers talk about their favourite science fiction cinema as a way of exploring the creative possibilities of the genre: why are they drawn to it? What are the challenges for writers and directors working in the UK?
Speakers: Neil Marshall (Doomsday, The Descent, Dog Soldiers), Ruari Robinson (Oscar-winning short film director now working on his first feature, The Last Days on Mars), Daria Malich (Ukrainian writer, director, producer who is developing a low budget sci-fi feature for Sidebar films which she runs with Louis Melville, director of Man Who Sold the World) and Johannes Roberts (whose feature Storage 24, written by and starring Noel Clarke is released by Universal in late June 2012)

Book for this session
Book for whole day

Dimensions
Dimensions: Directed, Produced and Designed by Sloane U’Ren

Designing science fiction
Co-presented by the British Film Designers’ Guild
5th May 3 – 4:15pm

Creating a believable story world is essential and the designers- especially on low budget features - have to perform small miracles. Production Designers talk about their work by way of offering creative tricks and tools as well as some insight into pre-production and budget realities for directors and producers. How can generic conventions be achieved on the kinds of budgets films operate with in the UK?
Speakers: Simon Bowles (Doomsday, The Descent), Sloane U’Ren (Art Director, Harry Potter and the Half Blood Prince, Batman Begins and Director/Producer and Production Design on her own new sci-fi feature Dimensions), Caroline Greville-Morris (Wild Target, Mutant Chronicles) and Designer/FX pro Greg Aronowitz (whose special effects and model work can be seen in John Carter of Mars, Scooby Doo 2, Minority Report, Contact, Babylon 5. And White Room, the short film he directed is also screening in the Festival.

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Monsters
Monsters directed Gareth Edwards, produced by Vertigo

Meet the commissioners
5th May 4:30pm – 5:30

Do you have a sci-fi project for the market? We’ll ask a panel of funders, commissioners and distributors help us answer some key questions about the market for science fiction in the UK and abroad. What are the challenges of producing sci-fi well? How does the UK industry sit in the wider world? Who are the key players in the UK for mid and low budget sci-fi film, and genre films more generally? What are they looking for in a project and what factors do they consider essential in a potential project?
Speakers: Sarah Scougal, Head of Development at Vertigo Films (Monsters, Pusher), Mia Bays (Film London’s Microwave scheme), Jeremy Baxter (Head of Acquisitions, Protagonist Pictures- an international sales and financing company with credits such as Kill List, Sightseekers, How I Live Now), Andrew Orr(Managing Director of Independent- production, sales and distribution company - who represent such upcoming sci-fi titles as Safety Not Guaranteed and Storage 24, and recent titles like Moon, Exam and high-end drama like We Need to Talk about Kevin) and Jamie Wolpert (Development Editor, BFI Film Fund).

Book for this session
Book for whole day

5:30-6pm – free networking drink for any ticket holder

Tickets are £7 for each session or £18 for the whole day

SCI-FI-LONDON ROUND TABLES X 4

Table 1. Imaginox present “the one sheet doctor”

Table 2: Twenty%extra present “targeting your audience”

Table 3: Kathryn McMann presents “seamless engagement”

Table 4: Axelle Carolyn presents “crowdfund it”

Click here to book

Click here for more information about the SCI-FI-LONDON Film Festival

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